The series follows the espionage adventures of Tom Walsingham during the Elizabethan era in Tudor England.
In C.P. Giuliani’s words:
“Tom Walsingham sleuths on! I’m thrilled to have signed up three more adventures featuring my Elizabethan detective and spy with Sapere Books. I have great plans for Tom. He will be tasked with recovering a misplaced foreign ambassador — whose mission could change the course of Anglo-Spanish relations; he’ll become involved in a personal investigation when death strikes at his family home, Scadbury Manor; and poor Tom will find himself in prison when his money troubles and Sir Francis Walsingham’s plans collide. Plenty of mysteries and dangers lie ahead for Tom!
“I’m really happy to be working with Sapere, whose welcoming and stimulating atmosphere and competent, friendly and helpful team have made (and are making) my publishing journey a truly lovely adventure.”
Every year, as soon as summer comes, I move my writing to the garden house. It’s not really cooler, as temperature goes, but it feels summery and pleasant. I love the tall ceiling, the terracotta floor, the desk that used to belong to my great-grandfather, and the view onto the garden. There’s a little pond outside the French windows, and the birds bathing or drinking are, I confess, something of a distraction — but they also provide a cheerful break whenever I find myself stuck. A paragraph refusing to take the right shape? A character mutinying? A dull passage? I step away from the desk and watch while the blackbirds play in the water — and, more often than not, a solution will suggest itself.
For all its rustic pleasantness, the garden house has decent Wi-Fi — which is rather essential when my pile of reference books is not enough to confirm some detail — and is equipped with an electric kettle to make cup after cup of tea, which is a fundamental of my writing method.
In truth, beyond the insane amounts of tea, I have little in the way of a writing routine. Working in theatre means that my hours are flexible. Sometimes I write in the morning, sometimes very late at night, sometimes both; sometimes I must snatch the odd hour here and there, between a rehearsal session and a meeting with the techs. One thing I do is to always keep a notebook with me. Through the years, I’ve learnt to keep a dedicated notebook for each project, beside a general one for everything and anything: notes, stray ideas, snatches of dialogue overheard or imagined, lists, questions… It’s the general notebook that I carry around, so I can jot down anything that occurs to me — to be transferred to the relevant one later. This means that I do some of my writing at the theatre, at the vet’s, as I stand in a queue at the Post Office…
My family, friends and colleagues have developed a high degree of amused tolerance for my ‘Notebook Moments’, when I drop whatever I’m doing to take a note; strangers are occasionally a little put out until I explain that, for one thing, I’m prone to forgetting what I don’t write down and, for another, sometimes an idea will present itself in a very iridescent shape, little more than a flicker of colour under the surface of the water — and will need to be recorded quickly and thought through in writing, at least a little, if it’s to be of any use.
So to recap, I’m absent-minded, easily distracted, forgetful, and can’t keep a routine… I suppose it’s no wonder that a quiet, pleasant place like the garden house is important to my writing process.
Following the success of Adele Jordan’s absorbing Kit Scarlett Tudor Mysteries, we are delighted to announce that we have signed her new series of Tudor thrillers.
In Adele’s words:
“I’m thrilled to be working with Sapere Books once more on my new series, The Shadow Cutpurses. This first instalment is the culmination of a lot of research into the Tudor era and a fascination with women’s lives outside of the royal court. This tale about cutpurses or thieves is a thriller, looking at what can happen when a woman at the bottom of the hierarchy is pitted against a man of ultimate power.
“My hope is that every page is a thrilling step in Gwynnie’s adventure. I hope that fans of my first series will find the same pace and spirit of adventure in this series, while plunging into the darkness of life during a slightly different period of Tudor history. It’s been a great joy to work with the Sapere family, and my huge thanks goes to Amy, Caoimhe, Richard and Natalie, for their support. My thanks also have to go to the other authors with Sapere, who through our chats have helped me to improve my writing.”
