sapere books authors Archives

How I Write by Angela Ranson

In this behind-the-scenes blog series, Sapere Books authors offer an intriguing insight into how, where and why they write.

Today, we are delighted to spotlight Angela Ranson, author of the Catrin Surovell Tudor Mysteries.

I write in my study, which doubles as a playroom for my two cats. I love having their energy and curiosity as the backdrop for my writing. This is especially true because I write about a world long dead — Tudor England — and try with every scene to bring it back to life.

My books centre around the early years in the reign of Elizabeth I (the 1560s), which I studied when I earned my doctorate in sixteenth-century English history. I live in York, within a stone’s throw of King’s Manor. This was the building where Henry VIII stayed in 1536, and his suite of rooms is now one of the University of York’s libraries. If you stand at the back of the building, you can see a tiny window that leads to nowhere: it originally let some light into Henry’s specially-made toilet, or garderobe.

I love that York has these little historical treasures; I go looking for them whenever I have the opportunity. That isn’t as often as I would like, because I write between the hours dedicated to two jobs at the university. Writing is what I do to relax, to escape from the trials of daily life. Thus, you’ll often see me writing while I eat my supper, or early on a Saturday morning when I’m still in my pyjamas. Turns out, those are the hours when dreams come true.

Reflections on the Sapere Books’ Writers’ Retreat 2024

The third Sapere Books’ Writers’ Retreat took place at The Priest House Hotel, Castle Donington between the 28th and 31st of October this year.

Adele Jordan, author of the Kit Scarlett Tudor Mysteries and the Shadow Cutpurses Tudor Thriller Series, helped to organise a full programme over the four days.

In Adele’s words:

“For a lot of writers, it’s a solitary world. Whether you are struggling to complete your manuscript or are in love with your story and find it hard to step away, it can’t be denied that for many writers a lot of time is spent in a staring contest with your computer screen, and sometimes we need to step away from that screen.

“For the last three years, a group of authors from Sapere Books have come together to create their own writing retreat, and this year saw our biggest yet. Fourteen authors, who write across various historical genres, came together to talk about all things writing.

*Photo of The Priest House Hotel by Andy Stephenson, used under the Creative Commons Licence*

“From romance to crime, we plundered the depths — from the importance of accuracy in military fiction, to how we plan and approach clue-filled detective stories. What transpired was not only a shared enthusiasm for our craft, but the reassurance we sometimes need that we are not alone — that there are others out there with the same passion who are keen to inspire and be inspired themselves.

“This year, we had some special sessions led by writers in the group. Highlights included an insightful look into the editing process by Neil Denby, author of the Quintus Roman Thrillers Series, and a debate on the accurate use of poisons in fiction and the importance of research by Linda Stratmann, author of The Early Casebook of Sherlock Holmes Series.

“Amy Durant, Sapere Books’ Publishing Director, led a popular Q&A session with authors attending the retreat. We also covered what makes a good title, how to grab your reader’s attention from the very first line, the complications around weaving a narrative with more than one viewpoint, and a friendly critique session where people were invited to bring their own work for discussion.

“Following inspiring chats, some political debates, good food and a very comfortable bar, I was delighted to see so many of the writers come away with big smiles on their faces. Thank you to everyone who came this year and to Amy Durant too for sparing the time to talk to us. Here’s hoping next year’s Writers’ Retreat is not only just as good, but the biggest and best yet!”

Some comments from the attendees:

Ros Rendle, author of The Strong Family Historical Saga and the Moondreams House Romances: ‘Thanks to all attendees at the authors’ retreat week for making it so useful and fun. Particular thanks to Adele Jordan for all the organising, the excellent programme and for keeping us on track with such diplomacy.’

Michael Fowler, author of the DS Hunter Kerr Investigations and Dr Hamlet Mottrell Investigations: ‘[The retreat] has turned the plot of my next book completely around. And it was nice to catch up with colleagues from previous retreats, as well as meet up with new ones.’

Linda Stratmann, author of The Early Casebook of Sherlock Holmes Series: ‘The sessions really stimulated the little grey cells of the brain, and I got some insights which had me rushing off to do some writing!’

C V Chauhan, author of the Inspector Sharma Thrillers Series: ‘It was a fantastic four days! Thanks everyone and a big thank you to Adele for leading and managing the four days so well.’

My Writing Space by Patricia Caliskan

In this behind-the-scenes blog series, Sapere Books authors offer an intriguing insight into how, where and why they write.

Today, we are delighted to spotlight contemporary romance author Patricia Caliskan.

I wrote my third novel, When We Were Us, at my bureau, which has become my writing enclave. Something about opening the bureau desktop gives me a sense of immediacy which speeds the writing along. I write upstairs, free from distractions, except for my dogs who stop by to visit, but basically closed off from everything except the world I’m creating.

I never thought I had any writing rituals until people began asking the question. I realised that I have rituals in general. All three of my novels were largely written at night. Once the demands of the day are over, night-time is not only the perfect fit in a practical sense but allows me the space I need to daydream on behalf of my characters, and fully immerse my thoughts in the world of the book.

I’m a huge advocate of those tiny details which promote wellbeing, even when I’m not writing. So, before I get back to my latest manuscript, I mix essential oils for my diffuser, which works like magic for changing up the mood, and I set a timer to monitor my working hours.

I find having scheduled time slots super helpful. I can show up and do the work and know exactly how much time I’ve spent on the novel, which is reassuring when I’m trying to find enough time to work on a project.

I switch on my moon light, as I call it, a perfect orb of white light, and always freshen up my perfume before I write. I think of perfume as a superpower. A favourite scent signals that we’ve got work to do and someplace else to be.

I usually start by reading over where I left off to reacclimatise. I try not to spend too much time agonising over a word choice or a sentence formation until I’m at the editing stage. I have a natural tendency to edit as I go, wanting the work to be as close to the final manuscript as possible, which can hinder the drafting process.

When it comes to first drafts, I remind myself of my own advice: to just get it all down. I need solitude to do that, and sitting at my bureau, I feel enclosed in the world of the book. When it comes to editing, I usually end up inadvertently making a playlist to score parts of the novel or characters, which I find helpful with tone and pace. Once I have a completed manuscript, I print the work out and read it aloud, because if the writing doesn’t sound right, it isn’t right, and needs reworking.

Writing fiction requires both discipline and detachment, and my little bureau space provides just that!

How I Write by C.P. Giuliani

In this behind-the-scenes blog series, Sapere Books authors offer an intriguing insight into how, where and why they write.

Today, we are delighted to spotlight C.P. Giuliani, author of the Tom Walsingham Mysteries Series.

Every year, as soon as summer comes, I move my writing to the garden house. It’s not really cooler, as temperature goes, but it feels summery and pleasant. I love the tall ceiling, the terracotta floor, the desk that used to belong to my great-grandfather, and the view onto the garden. There’s a little pond outside the French windows, and the birds bathing or drinking are, I confess, something of a distraction — but they also provide a cheerful break whenever I find myself stuck. A paragraph refusing to take the right shape? A character mutinying? A dull passage? I step away from the desk and watch while the blackbirds play in the water — and, more often than not, a solution will suggest itself.

For all its rustic pleasantness, the garden house has decent Wi-Fi — which is rather essential when my pile of reference books is not enough to confirm some detail — and is equipped with an electric kettle to make cup after cup of tea, which is a fundamental of my writing method.

In truth, beyond the insane amounts of tea, I have little in the way of a writing routine. Working in theatre means that my hours are flexible. Sometimes I write in the morning, sometimes very late at night, sometimes both; sometimes I must snatch the odd hour here and there, between a rehearsal session and a meeting with the techs. One thing I do is to always keep a notebook with me. Through the years, I’ve learnt to keep a dedicated notebook for each project, beside a general one for everything and anything: notes, stray ideas, snatches of dialogue overheard or imagined, lists, questions… It’s the general notebook that I carry around, so I can jot down anything that occurs to me — to be transferred to the relevant one later. This means that I do some of my writing at the theatre, at the vet’s, as I stand in a queue at the Post Office…

My family, friends and colleagues have developed a high degree of amused tolerance for my ‘Notebook Moments’, when I drop whatever I’m doing to take a note; strangers are occasionally a little put out until I explain that, for one thing, I’m prone to forgetting what I don’t write down and, for another, sometimes an idea will present itself in a very iridescent shape, little more than a flicker of colour under the surface of the water — and will need to be recorded quickly and thought through in writing, at least a little, if it’s to be of any use.

So to recap, I’m absent-minded, easily distracted, forgetful, and can’t keep a routine… I suppose it’s no wonder that a quiet, pleasant place like the garden house is important to my writing process.

How I Write by Neil Denby

In this behind-the-scenes blog series, Sapere Books authors offer an intriguing insight into how, where and why they write.

Today, we are delighted to spotlight Neil Denby, author of the Quintus Roman Thriller series.

Inspiration can come at any time of the day or night, but I find that the small hours are awash with ideas — plot lines, character development, a resolution to a particularly tricky scenario — so it is important that I keep a notepad and pencil by the bed. It may be old-fashioned but it is also reliable and has the advantage of not involving bright screens.

Frustratingly, come morning, I cannot always decipher what I have written down, but sometimes there are gems. These may be character or plot evolution, or perhaps just phrases, but I know I would have forgotten them completely if I had not made a note.

While out walking — an excellent way to clear the brain of fog — I defer to modern technology and record voice notes on my mobile phone. The same principle applies — if there is no immediate record, the thoughts can be lost.

These brief lines are later transferred to a laptop. This is strategically placed in a corner of my study so that I am not distracted by the view outside the window. A row of reference books and one of my favourite possessions, an original Steve Bell cartoon, are all that I have for company. It also helps if I can visualise a character or a place, so I keep a sketchpad on my desk where I can create basic images — maps, plans, sometimes the progress of marches or battles. These drawings help to maintain consistency and authenticity.

This is my primary space, where the words are typed up. I add to them, enhance them, contextualise them, read them back. I often discover that I have used a particular word or phrase twice or more. Or if there is something I’m not sure about, I look it up. The reference books help to straighten out facts and also to find alternative words. Roget’s and Brewer’s and Fowler’s and Chambers provide a wealth of information unmatched by an American-leaning internet. I admit to slipping down rabbit holes of etymology and semantics, but find it strangely satisfying.

I always have to read what has been written, in context with the book so far. Traditionally that would have meant printing the manuscript out and sitting down with a pencil. Happily, that is no longer the case. Instead (thanks to everything going up into the Cloud) I can now read and review on my iPad. This means I can lounge in a chair, or sit outside, or read whilst travelling. So it is more a case of recreating the experience of the reader to see how and if things work.

Of course, there are edits, and actual printouts sometimes, but that is basically it: pencils and pads and technology.

Oh technology, where were you when I had all those essays to write at school?

Five Years of Sapere Books

We are thrilled to be celebrating five years in business this month and we are incredibly grateful to all the writers, agents and literary estate holders who have helped us bring to market such a vibrant and diverse list of books.

Since launching Sapere Books in March 2018, our list has grown to include over six-hundred books by over one hundred authors. We have sold over 3 million books to date with 500 million pages read through Amazon’s Kindle Unlimited program.

In 2019, we employed our first full-time staff member, Natalie Linh Bolderston, who now holds the title of Assistant Editor, and in 2020, Matilda Richards and Helen Jennings both also joined our editorial team. They have all been essential to our ongoing success and we are over the moon that they are continuing the journey with us as we celebrate our first big milestone.

In 2020, we launched our non-fiction list, which includes classic works by authors such as E R Chamberlin, Sir Peter Gretton and John Bowle. And we are now pleased to announce that we are also hiring another staff member to help look after our burgeoning military history and military fiction list.

Since launching, we have focussed primarily on fiction, particularly historical fiction and crime fiction, and in 2021 we created our first historical writing contest, asking for entrants to submit a series outline loosely based on briefs we set. The response was so strong that as well as signing up five prize-winners we also signed ten more authors from the shortlisted entries.

We have always been keen to foster a community among our authors. In 2020, to combat some of the isolation due to the pandemic, we started running weekly Zooms for our authors to join and chat about their writing. These have become a valuable part of our ethos and we want to continue to make our authors feel welcomed, valued and part of the Sapere Books family.

We are also proud to announce that we have been certified Carbon Neutral since 2021 and we have created our own Sapere Books forest, planting a tree for every author that we work with.

We look forward to continuing to build strong relationships within the writing community and to publishing more brilliant genre fiction to capture the imagination of readers. Thank you again to everyone who has supported us and we hope you continue to love our books!

Amy, Richard and Caoimhe

Testimonials from four of the authors who launched with us in 2018:

David Field, author of the Medieval Saga series, the Tudor Saga series and many more

By one of life’s happy coincidences, I came across Amy Durant just when the publisher that had commissioned my first historical novel series decided to close down. Five years later I’ve published over twenty historical novels with Sapere, with ten more waiting to go.

When you become a member of the Sapere family, you’re all set for a rewarding writing career. If the quality’s right, you know that your latest ‘baby’ will be assured of a good home. They provide great editing, superb covers, expert marketing, regular royalty payments and guaranteed replies to your emails. Sapere authors have indeed been smiled upon by the patron saint of aspiring writers.

Keith Moray, author of the Inspector Torquil McKinnon series

Being published by Sapere Books has been a revelation for me as a writer. From the very first moment that Isabel Atherton, my agent at Creative Authors, arranged a chat with Amy Durant it has been a fabulous experience. Over the past five years, I have seen my backlist of fiction published along with five new novels, and I have three more under contract. Every aspect of book production from editing, cover design, publicity and marketing has been handled with flair and efficiency. On top of that, communication could not be easier or quicker, and Sapere Books have created a friendly atmosphere among all of the authors that makes me feel pleased to be part of the Sapere Books family. I could not be happier than I have been with Sapere Books, who are in my opinion without parallel in the publishing industry.

Linda Stratmann, author of The Early Casebook of Sherlock Holmes and the Mina Scarletti Mysteries

Becoming a Sapere Books author is like joining a warm and welcoming family, dedicated to providing the best for authors and readers. An experienced and hardworking team offers a soundly professional service, always on hand for support and advice. The last five years has seen Sapere grow and flourish, but never losing that personal touch.

Elizabeth Bailey, author of the Lady Fan Mystery series

Working with Sapere has been the most enjoyable and rewarding publishing experience in all my thirty-odd years as an author. That my career is flourishing is testament to the care and attention given to every book. Authors are encouraged to interact and support each other, which makes me feel part of a family, parented by the nurturing and talented Sapere team. Long may they reign! Oh, and we all love our covers!