Celebrating Lost Voices: Lynne Reid Banks

In this blog series, Sapere Books spotlights authors whose books have gone out of print and whose work we are republishing, in an effort to revive the most vibrant and engaging voices of the past. This month, we are delighted to spotlight Lynne Reid Banks, author of The Brontë Sisters Saga and several standalone literary novels.

Lynne Reid Banks was born in London in 1929, the only child of a Scottish doctor and Irish actress. During World War Two, she was evacuated to the prairies of Canada, where she lived for five years. Banks went on to have a rich and varied career: prior to becoming a writer, she studied at RADA in the 1940s and became an actress. She then worked for ITN, becoming one of the first female television news reporters in Britain.

Banks’ first novel, The L-Shaped Room — a frank and sensitive portrayal of an unmarried mother-to-be who is thrown out by her father — was published in 1960 and achieved much critical acclaim. In the early 1960s, Banks and her husband moved to a kibbutz in Israel, where she taught English. In 1971, they moved back to London and Banks continued writing.

As an author, Banks is outstandingly versatile; she has written numerous children’s books and ten adult novels. These include Dark Quartet, a fictionalised biography of the Brontë sisters; Casualties, a heart-breaking saga spanning from Nazi-occupied Holland to 1970s Europe; Children at the Gate, the story of a grieving mother living in Israel; Fair Exchange, a moving novel set in England during the Anti-Apartheid movement; and The Warning Bell, which portrays the life of an actress turned news reporter.

The shadows of Banks’ life experiences can often be seen in her novels, contributing to the commendable realism and depth of the settings. Whatever the genre, her wit, beautiful writing style and well-crafted characters shine through.

Click here to find out more about The Brontë Sisters Saga

Researching for A CANOPY OF STARS by Stephen Taylor

Stephen Taylor is the author of A CANOPY OF STARS, a thrilling historical 19th century saga stretching from the legal courts of Georgian London to the Jewish ghetto in Frankfurt.

When I start to write a novel, the first thing I always do is open a document that I call ‘Conceptualising’. I put down my initial thoughts, sketch out a skeleton storyline. Then I start researching and populate this document with historical facts and ideas that I can use.

When I came to write A CANOPY OF STARS, my first port of call was a website — Punishment at the Old Bailey: Old Bailey Proceedings Online. Here I could view actual cases going back hundreds of years. I came across the trial of Peter Shalley (REF: T17900113-17) that took place in 1790. Shalley was a German immigrant who was accused of the theft of half a sheep’s carcass worth just 40 shillings. His story, through an interpreter, was that he was offered a shilling to carry the carcass to Oxford Road from a field outside London. When he said he didn’t know where Oxford Road was, the man said: ‘Don’t worry, I’ll walk behind you and each time you come to a junction, look behind you, and I’ll point which way to go.’ When he got to Oxford Road, the Watchman challenged him, and the other man ran away. To me, this was a reasonable defence — he had been duped.

But the system was stacked against him, for while he was an educated man, he was a Jewish immigrant and spoke little English; he was seen as just another piece of London’s low life to be dispatched by the hangman with little ceremony and no one to mourn him. Even the valuation of the sheep at exactly 40 shillings made it a felony (not a misdemeanour) and therefore punishable by death.

I found this disturbing; it may have been over two hundred years ago, but I was stung by the injustice of the case. I was upset; the wrong done to this man was so plain to see and became like a nagging toothache. So I resolved to restructure A CANOPY OF STARS; it would still be a Georgian courtroom drama, but — through the character David Neander — I would also write Peter’s own story as I saw it. Images danced in my mind; what sort of man was this Peter? Why had he left his native Germany; why had he come to England?

In England, this was a time of the enlightenment; there was a clamour for reform. Power, however, lay in the hands of the aristocratic landowners who viewed reform as a threat. In the German states, this was a time of nationalism, a distrust of all things un-German. This is the backdrop to David’s story. How did he navigate his way through it?

 

Click here to order A CANOPY OF STARS