Congratulations to Natalie Kleinman!

Congratulations to Natalie Kleinman, whose second-chance love story, After All These Years, is out out now!

When Guy Ffoulkes walks into Honeysuckle ‘Honey’ Bunting’s tea shop in the little town of Rills Ford, she’s transported back in a flash to her teenage years – and to the pain of first love.

As a young girl she worshipped Guy from afar – but to him, she knows, she was simply his best friend’s scruffy younger sister.

Over the years Honey has poured her energy into her business and caring for her elderly mother, telling herself it’s enough for her. But no man has ever replaced Guy in her heart…

Now, fourteen years on, Guy has returned from Australia, a rich and successful architect, but a lonely man. And when he and Honey reconnect, neither can deny the spark between them.

But Honey’s loyalties are tested to the extreme when Guy reveals the reason for his return…

Does Honey know her old flame as well as she thinks? Will Guy let pride and ambition drive away the only woman he has ever loved?

And as the pair find themselves at the heart of a local scandal, can they find the strength to take a chance on love?

My Writing Space by Patricia Caliskan

In this behind-the-scenes blog series, Sapere Books authors offer an intriguing insight into how, where and why they write.

Today, we are delighted to spotlight contemporary romance author Patricia Caliskan.

I wrote my third novel, When We Were Us, at my bureau, which has become my writing enclave. Something about opening the bureau desktop gives me a sense of immediacy which speeds the writing along. I write upstairs, free from distractions, except for my dogs who stop by to visit, but basically closed off from everything except the world I’m creating.

Patricia’s bureau

I never thought I had any writing rituals until people began asking the question. I realised that I have rituals in general. All three of my novels were largely written at night. Once the demands of the day are over, night-time is not only the perfect fit in a practical sense but allows me the space I need to daydream on behalf of my characters, and fully immerse my thoughts in the world of the book.

I’m a huge advocate of those tiny details which promote wellbeing, even when I’m not writing. So, before I get back to my latest manuscript, I mix essential oils for my diffuser, which works like magic for changing up the mood, and I set a timer to monitor my working hours.

I find having scheduled time slots super helpful. I can show up and do the work and know exactly how much time I’ve spent on the novel, which is reassuring when I’m trying to find enough time to work on a project.

I switch on my moon light, as I call it, a perfect orb of white light, and always freshen up my perfume before I write. I think of perfume as a superpower. A favourite scent signals that we’ve got work to do and someplace else to be.

I usually start by reading over where I left off to reacclimatise. I try not to spend too much time agonising over a word choice or a sentence formation until I’m at the editing stage. I have a natural tendency to edit as I go, wanting the work to be as close to the final manuscript as possible, which can hinder the drafting process.

When it comes to first drafts, I remind myself of my own advice: to just get it all down. I need solitude to do that, and sitting at my bureau, I feel enclosed in the world of the book. When it comes to editing, I usually end up inadvertently making a playlist to score parts of the novel or characters, which I find helpful with tone and pace. Once I have a completed manuscript, I print the work out and read it aloud, because if the writing doesn’t sound right, it isn’t right, and needs reworking.

Writing fiction requires both discipline and detachment, and my little bureau space provides just that!

Happy Publication Day to Natalie Kleinman!

Congratulations to Natalie Kleinman, whose enchanting Regency romance, The Wishing Well, is published today!

England 1818

Ever since the deaths of her fiancé and her father, Harriet Lambert has thrown herself into the management of her family’s estate to cope with her grief. Though time has eased her sorrow, she has had little opportunity to once again pursue romance.

But when she is called on to accompany her younger sister, Amabel, to London for her introduction into respectable society, Harriet finds herself caught in a flurry of social engagements. And when she meets Major Brew Ware at a soirée, the two form an immediate connection.

Having experienced tragedy at an early age, Brew understands the significance of Harriet’s loss. With their shared interests and honest approach, their friendship continues to flourish as the season wears on.

Though no man has turned her head since she lost her fiancé, Harriet is aware that her affection for Brew is growing stronger. And as she tentatively considers her future, she must now decide whether she is prepared to take another chance on love…

Rhythms of the Heart is Published Today!

Congratulations to Ros Rendle, whose gorgeous contemporary romance, Rhythms of the Heart, is published today! Rhythms of the Heart is the first book in the Moondreams House series.

Having been widowed for eighteen months, 39-year-old Annie Ellis is searching for a way to support herself.

When she runs into Harry Moon — an old flame from her teenage years — her life takes a direction she never expected.

Separated from his wife and now working as a concierge at Moondreams House — a large local estate — Harry understands what it is like to feel alone. As their friendship progresses, Annie confides her ambition to run a dance school. Admiring her vision, Harry encourages her to rent the ballroom of Moondreams House for her new venture.

Happy with her career path, Annie’s grief over her late husband slowly eases. Believing she is ready for romance, she begins to look for someone to share her new beginning…

Will Annie make a success of her dance school? Is love on the horizon?

Or will the pain of the past hold her back…?

Resistance of Love Published Today

Congratulations to Ros Rendle, whose moving romantic saga, Resistance of Love, is published today!

Resistance of Love is set in England and France before and during World War II, and is the second book in The Strong Family Historical Saga series.

After spending ten years in Australia, Delphi Strong is on a ship back to England with her daughter, Flora.

While on board, Delphi meets Rainier, a charming vineyard owner on his way home to France. Forming an instant mutual attraction, the two share a whirlwind romance before disembarking.

Unable to forget her, Rainier crosses the channel a few months later and asks Delphi to marry him. Equally lovestruck, Delphi accepts, and she and Flora join Rainier in France.

However, their idyllic lifestyle is shattered when war breaks out and the Nazis begin to occupy the country. Forced to flee to the Free Zone in the south, the family must now pull together to resist the enemy…

 

Click here to order Resistance of Love

Researching for A CANOPY OF STARS by Stephen Taylor

Stephen Taylor is the author of A CANOPY OF STARS, a thrilling historical 19th century saga stretching from the legal courts of Georgian London to the Jewish ghetto in Frankfurt.

When I start to write a novel, the first thing I always do is open a document that I call ‘Conceptualising’. I put down my initial thoughts, sketch out a skeleton storyline. Then I start researching and populate this document with historical facts and ideas that I can use.

When I came to write A CANOPY OF STARS, my first port of call was a website — Punishment at the Old Bailey: Old Bailey Proceedings Online. Here I could view actual cases going back hundreds of years. I came across the trial of Peter Shalley (REF: T17900113-17) that took place in 1790. Shalley was a German immigrant who was accused of the theft of half a sheep’s carcass worth just 40 shillings. His story, through an interpreter, was that he was offered a shilling to carry the carcass to Oxford Road from a field outside London. When he said he didn’t know where Oxford Road was, the man said: ‘Don’t worry, I’ll walk behind you and each time you come to a junction, look behind you, and I’ll point which way to go.’ When he got to Oxford Road, the Watchman challenged him, and the other man ran away. To me, this was a reasonable defence — he had been duped.

But the system was stacked against him, for while he was an educated man, he was a Jewish immigrant and spoke little English; he was seen as just another piece of London’s low life to be dispatched by the hangman with little ceremony and no one to mourn him. Even the valuation of the sheep at exactly 40 shillings made it a felony (not a misdemeanour) and therefore punishable by death.

I found this disturbing; it may have been over two hundred years ago, but I was stung by the injustice of the case. I was upset; the wrong done to this man was so plain to see and became like a nagging toothache. So I resolved to restructure A CANOPY OF STARS; it would still be a Georgian courtroom drama, but — through the character David Neander — I would also write Peter’s own story as I saw it. Images danced in my mind; what sort of man was this Peter? Why had he left his native Germany; why had he come to England?

In England, this was a time of the enlightenment; there was a clamour for reform. Power, however, lay in the hands of the aristocratic landowners who viewed reform as a threat. In the German states, this was a time of nationalism, a distrust of all things un-German. This is the backdrop to David’s story. How did he navigate his way through it?

 

Click here to order A CANOPY OF STARS

Sapere Books Sign Four Historical Sagas by Deborah Swift

Following the publication of Deborah Swift’s extraordinary wartime sagas – PAST ENCOUNTERS and THE OCCUPATION – editorial director Amy Durant has signed four more of her books.

In Deborah’s words:

“I’m really thrilled to have signed with Sapere Books for my third WW2 novel, THE LIFELINE, in which a teacher flees Nazi-occupied Norway and escapes to Scotland on a small fishing boat, in an operation known as The Shetland Bus.

“Not only that, but I’ve signed with Sapere for three more historical novels set further back in time. The first, THE POISON KEEPER tells the story of Giulia Tofana, the woman who, according to legend, poisoned six hundred men in 17th Century Italy. The deadly poison Aqua Tofana bears her name. Italy in the 17th Century is a fascinating brew of baroque religion, art and culture, and the legacy of the ‘Camorra,’ the 17th Century Mafia. THE POISON KEEPER is set in Naples under the smoking shadow of Mount Vesuvius. There will be two further books in the Italian series; the other two books will be set in Venice and Rome.

“I was delighted to be offered a home for four new books (four books!) with Sapere, as not only do they offer very good royalty rates to authors, but they have a really strong, supportive author community.”

Amy commented: “Deborah is a wonderful storyteller, and I am extremely happy she has chosen to continue partnering with Sapere Books for her next four novels. Fans of her first two Second World War novels won’t have to wait much longer for her third wartime-era book; THE LIFELINE will be available to preorder soon.”

 

Click here to order PAST ENCOUNTERS

Click here to order THE OCCUPATION

Sign up to Deborah’s newsletter to stay up to date with her book news and latest releases.

Happy Valentine’s Day From Sapere Books

Celebrate Valentine’s Day with a timeless love story! We’ve chosen four of our favourite romantic reads for you this February.

Summer at Hollyhock House, Cathy Wallace

After breaking up with her long-term boyfriend, Faith Coombes is looking for a new start. Her search leads her back to where she began: the village where she grew up, home to her best friend and an old flame. As the summer wears on, Faith finds solace in her familiar surroundings, and her feelings for the boy she once adored begin to rekindle. But as memories of hurt and heartbreak start to resurface, Faith must decide whether she can put the past behind her and give love a second chance.

A charming and heart-warming tale of missed opportunities, self-discovery and the bittersweet sting of true love, Summer at Hollyhock House is sure to bring both tears and laughter.

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Girlfriend, Interrupted, Patricia Caliskan

After a whirlwind romance, Ella Shawe takes the plunge and moves in with her boyfriend, Dan – plus his two children and pet dog. Far from domestic bliss, Ella must now learn to cope with a resistant family, a hellish mother-in-law and Dan’s impossibly perfect ex-wife. But with the future of her blossoming relationship on the line, Ella is determined to find a way to fit into the chaos…

Full of modern dilemmas and sparkling humour, Girlfriend, Interrupted is a fabulous British comedy with a spirited and relatable heroine at its heart.

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Women Behaving Badly, Frances Garrood

Three very different women are all stuck with impossible romances: Alice has an irresponsible ex and a noncommittal lover; Mavis is having an affair with a father of two; and Gabs is a high-class escort who has fallen in love with someone she can never be with. In the eyes of the Catholic church, all three women have gone astray. But their priest, Father Cuthbert, is determined to reform them. As Alice, Mavis and Gabs form an unlikely friendship, each begin to question what is most important to them – and it soon becomes apparent that the lively trio can’t be ‘cured’ that easily…

Original, uplifting and fabulously witty, Women Behaving Badly is a moving tale of heartache, self-love and the warmth and power of female friendship.

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Another You, Jane Cable

Following the breakdown of her marriage, Marie is still learning to heal. But as the head chef of The Smugglers – the pub co-owned by her ex-husband – she finds herself constantly stretched and plagued by headaches. With local celebrations planned for the 60th anniversary of D-Day, Marie expects to be busier than ever – but she could never have prepared for the changes that are about to hit. Paxton, a charming American soldier, seems to be just what Marie is looking for: a bit of light-hearted fun. But as they grow closer, she begins to wonder if he is all that he seems…

Drawing on World War II history as well as the horrors of modern combat, Another You is a sweeping story of trauma, courage, and self-reclamation.

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Read the first chapter of gorgeous romance TO LOVE, HONOUR AND OBEY now!

CHAPTER 1

1805, North Riding, Yorkshire

Willoughby Rossington gulped the much needed ale down his dry throat, sighed with relief and placed the pewter tankard on the upturned barrel, which doubled as a table. It had been a difficult mission and a hard ride, but Willoughby had managed to flush out his prey, a highwayman, and after a chase across exposed moorland had relieved the country of one more specimen of murdering vermin. Now, he leaned patiently back on the settle, which lined the alcove next to the rear door of the inn, watching for the York coach to arrive.

Discreetly, Willoughby checked the shallow cut on his wrist. It had not been deep enough to sever the vein. Taking a clean strip of linen from a side pocket of his case, he tied it around his wrist as best as he could, using his free hand and teeth. This was not the first time he had been wounded. A pistol shot had caught him as he was chased across a French beach the previous summer. Fortunately, he had not been on his own and was tossed into the bottom of a fishing boat waiting to return him to England. His uncle had called it his initiation — a rite of passage. The slight scar above his left ear would apparently serve to remind him to take greater care. He slipped his wrist inside his cuff and smiled — no more scars, he thought.

A flurry of activity broke out in the yard.

“York coach!” A horn was heard as the vehicle approached.

Willoughby drained the tankard, ran a hand through his fair hair before replacing his hat, picked up his bag and headed out. He was anxious to be on his way again. The coach had made good time and was busy. A family with two young girls filled most of the inside, so it was with some relief that Willoughby found himself climbing on top. He settled as comfortably as he could, holding on firmly as the horses pulled their burden back out onto the open road, increasing in speed and momentum. Willoughby felt the invitation to attend his uncle, Lord Nathaniel Rossington, in his pocket and relaxed into the journey. The rush of air on his face made him smile. He anticipated his uncle’s next set of orders and relished the prospect of serving his country further.

The coach sped between the open moors and fields, slowing as it approached the ancient city of York. Willoughby was aware of the noise emanating from the lunatic asylum as they passed by. He swallowed, feeling pity for the poor souls trapped inside. That would be hell on earth to him, to be trapped like a caged animal, or worse, chained like a bear, perpetually baited.

The vehicle entered through the ancient stone archway and slowed to navigate the heavily soiled mire, making the going heavy as it passed through one of the ancient crumbling Barrs, ready to traverse the narrow lanes inside the old walls, where a mixture of wooden medieval homes with their jutted fronts gave way to the fashionable new stone buildings.

Willoughby looked on in wonder at the might of The Minster, the magnificent cathedral that dominated the cobbled together collections of buildings around it. No matter how often he saw it, he was always impressed. York was a place which confused and delighted his senses by turn. Contrasts were everywhere: putrid stench mingled with the more pleasant aromas of the market, rich living alongside the impoverished.

The coach came to a lumbering halt in front of an old inn. A sign swung dubiously above the door of a phoenix rising from the ashes. It was a sorry depiction of what should have been a lovely image, buffeted by the wind and heavy rain.

The innkeeper rushed around the corner and greeted his new arrivals, despite the pouring rain. All was a hive of activity. A small step was brought for the passengers to climb down onto. Willoughby knew that Lord Rossington would have been informed that the coach was in. He would be expected to report shortly but he was tempted to go inside and warm and dry himself.

 

Beth heard the excitement as word reached the inn that the coach was approaching. She had been preparing food in the back in readiness. In her dreams, she would get on the coach, dressed smartly in a travelling coat and be taken to some grand house where her husband or, more likely, her lover, would be awaiting her return. She put down her bread knife at the side of the stone sink, brushed her hands against her coarse skirts and glanced anxiously around her. Dotty, the cook, had gone into the back yard and Irwin Wilkes had left earlier on ‘business’. He would normally greet his guests and then return inside — to her. She grabbed her old shawl and pulled it around her shoulders, thinking that he must have been delayed.

Beth knew if she was caught shirking, she would be in for trouble, yet the yearning inside her made her desperate to see who the coach had brought in. The longing to escape the inn, her hellhole, was growing daily. She had nothing of her own and no one to go to, but the coaches came and went and each time her heart desired to go too. She was the bird lost in the ashes and she would take flight, unlike the bird that was trapped on a piece of wood swinging above the doorway.

She ran her fingers through her rich auburn hair, its fiery colour subdued by the need of a wash, though she kept it in relatively good order as she hated the knots. Beth peeped through the serving hatch just to make sure that Irwin Wilkes had not become distracted by his friends and was sitting on his favourite settle. No, he was hovering somewhere outside in his coat. He owned the inn and, although it hurt Beth to think it, he also owned her. Two seasons ago she had been bought by coin from the orphanage where she had grown up as a young woman to serve drinks at the inn. She had no say in the matter, no rights, and was told to be grateful her fate was not a worse one. It was go with Wilkes or live on the filthy streets.

Peering through the musty, smoke-filled tap room she could see the passengers alight from the coach. One man stood alone and slightly to the side. Beth watched him. He did not look as if he intended to enter, she noted with disappointment, but stood surveying the city. He was tall and from what she could see of his features, between high collar and tall hat, handsome. He looked to the inn, but despite the soaking he had had, he decided to move off.

He must be lost, Beth reasoned, so she straightened her shoulders and stepped forward, ready to cross the room and welcome the guests and offer the stranger her help before he decided to leave — if she could. There was something about him that drew her to him. He would fit the image of the man in her daydream well enough. Even though he was clearly a gentleman, she thought, a girl can dream, can’t she?

“Beth!”

She froze. Wilkes’s footsteps neared as his boots sounded upon the flagstone floor behind her. The weather must have dampened his enthusiasm for being a good host.

“Where d’you think you are off to, my girl?”

She could smell his musk. He spun her around, whipping the worn fabric from her shoulders. The word ‘my’ resonated in her head as the usual feelings of disgust stirred within her belly. He threw his coat onto a stool.

“Nowhere, Mr Wilkes. I was just a bit cold and I heard all the noise.” She tried to keep her voice calm as getting flustered only provoked his temper further. Her eyes were downcast; he took it as a sign of submission. She used it to shield the hatred that burned within them.

“Cold, eh,” he repeated, and chuckled. “Go on up to me room. I’ll be there shortly.” He slapped her rump as she stepped away.

Beth tried not to show him fear or her anger. She picked up her shawl; moth-bitten it may be, but it was hers, and then climbed the wooden steps to his room above, cursing her stupidity and dreading his idea of giving her warmth.

 

Willoughby stretched to his full height. He was tired, his wrist was sore, but he needed to see his uncle — then he could think about resting before setting off again on his next mission. He was in the north; he was so near to where his father had been murdered. Willoughby’s heart desired one mission more than any other: to investigate that ‘accident’. No one had been brought to justice. Five years later and he had proved to his uncle he could wheedle out vermin and be trusted, so why not now avenge his father’s death?

He approached the grand façade of the elegant terraced house. Willoughby had to stay level-headed; displays of emotion were not appreciated — ‘anger was to be challenged into action, not allowed to burn and destroy internally’. His uncle was full of such pearls of wisdom.

He lifted the brass knocker, then crashed it against the door and waited until a liveried servant opened it to him.

“Is my uncle at home?” Willoughby asked.

“Your uncle? May I have your card, sir?” The man spoke stiffly and held out a gloved hand.

Willoughby wondered if he was one of his uncle’s agents or just a household servant; either way, he acted like a pompous fool. Willoughby pulled the invitation from his pocket, returning it to its sender. It was his pass to a very different world — one in which he thrived. The man responded with a cursory look up and down as rain dripped off Willoughby’s greatcoat and onto the doorstep of the elegant house.

Willoughby met the man’s stare in challenge and made to step forward. It had been an uncomfortable journey and his patience was becoming worn. The servant closed the door on him, disappearing with the letter. Willoughby balled his fist and looked across the sodden road, waiting patiently, albeit reluctantly, to be allowed entry. A few minutes later the door reopened.

“My apologies, sir.” The man bowed low as he stepped back, allowing Willoughby to pass by him, whilst taking his hat and coat. “This way, if you please, sir.”

Willoughby followed him across a chequered floor and down a narrow corridor to a set of doors towards the back of the house. Beyond them was his uncle’s study. Immediately Willoughby entered, the doors were shut securely behind him, not one, but two sets separated by a good thick curved wall. This was a necessity, as his uncle could not afford to have his private discussions overheard by anyone.

Willoughby was surprised that the normally officious man was not sitting and looking imposingly at him from behind the large mahogany desk as was his habit. Instead, he stood silently gazing at a painting that adorned the wall above the marble fireplace. Immaculately dressed in a perfectly fitted black coat which accentuated his straight and noble posture, he held his hands clasped behind his back. “Do you know what this is, Willoughby?”

Willoughby sighed. Never a warm word of welcome, but he knew how to respond. “It is a seascape, Uncle.” Willoughby stared at it emotionless, almost mimicking his uncle’s dour manner until he saw a flash of annoyance showing in the older man’s eyes. “A stormy sea and a rescue boat being hauled into the water by the local villagers.” Willoughby admired the movement and energy within the painting. One could almost feel the tempest raging and the desperation of the people to launch the life-saving boat into the water.

“What else can you see? Where do you think it is set?” his uncle persisted, staring at him, waiting for Willoughby to look beyond the obvious. It was like a game, a grooming, which both his uncle and his father had played with him since he had been a child.

Willoughby stepped forward, relaxing his pose. He looked at every feature of the painting: the group of people at the water’s edge, the windmill behind a row of small fishermen’s houses, the firm flat sands, the high rugged headland in the distance and the menacing sea. “By the attire of the people and the geographical features of the land, I would say this is a fishing village on the remote north-east coast.” Willoughby glanced at his uncle, waiting for acknowledgement or approval.

“And what reasoning is behind this decision, Willoughby? Have you proof of a logical nature or is this just a wild guess — no more than a lucky whim?”

“No, Uncle, it is not a guess. The boats in the background are the cobles of the Yorkshire design. They land on the flat sandy beaches, cutting through the breakers. The sea is treacherously turbulent and that area is infamous for its wrecks. To the right are the ancient marshlands and dunes, whilst to the left, the steep jutting headland forms a dramatic feature. The boat is one of the new designs of ‘lifeboat’, which I believe has to be pulled manually down to the beach by the villagers in order to launch it successfully.”

His uncle released his hands, relaxing his stance and patted Willoughby firmly on his shoulder. “Excellent observations, Willoughby; you show some intelligence. I’m glad your time at Cambridge was not wasted; you have at least learnt to deduce. So tell me, why am I showing you this merciless place?” Nathaniel Rossington flicked the tails of his coat up into the air and rested against his desk.

“You wish me to go there, no doubt still wearing the robes of a priest and save the poor from the endless toil of their lives and their mortal souls from hell itself, Uncle?” Willoughby raised a cynical brow, as he knew Nathaniel was a sceptical man, a non-believer, a fact he kept very much to the closest family members to avoid unnecessary problems within the society with which he mixed.

“I would say they are beyond salvation and, personally, I should let them rot away within their own grimy existence.”

Willoughby was not surprised by the man’s sentiment, he had his sights set on saving a nation, apparently forgetting at times that the word represented common men eking out a ‘grimy existence’ and not just the land itself.

“However, I would also remind you that this is not a game anymore, Willoughby. It is as serious as life and death … yours included.” Nathaniel looked at Willoughby, whose gaze did not waver despite his uncle’s powerful withering stare. However, Willoughby did note the fleeting glint of amusement in the man’s eyes — a rare sight.

“There are treacherous men earning a lot of money in the region — corruption throughout and within the villages which has spread to the normally decent social strata. I need you in there.” He pointed to the painting, his manner intense. “Yes, don your priest’s garb and start preaching and listening to as many confessions as you can…”

“Uncle, I am not a priest. I have chosen a very different path now.” Willoughby spoke out defiantly, then instantly wished he had controlled his tongue. “Surely, I have proven to you that I would have been wasted in such a role when I refused to follow the path which was laid out for me by Uncle Jeremiah, God rest his soul. I would be better serving as a soldier — please, sir, allow me to hunt down Father’s murderers or obtain me a commission so that I may serve, with your blessing.”

“I am fully aware of what you are and what you are not. Unless you wish me to return you to ‘your initial path’ and insist that you are to be permanently planted in a respectable parish with a fat wife and several noisy brats to feed, you would do well to remember how much I do know about you, Willoughby James Rossington!” Nathaniel’s words were harsh, but as always, controlled. “You serve best where I place you. Your brother serves the King, you fight a very different battle and I need you here to do it!”

Willoughby nodded, annoyed that this man who had acted as a father to him when his own died prematurely always placed his duty first. More disastrous news had followed the next year when his elder uncle, Jeremiah, had perished in a riding accident. Nathaniel was totally devoted towards his King and country. He buried his pain deeply, though, Willoughby realised. Willoughby had been sent to many a dark place concerning his clandestine role. It had shown him a world very different from the old clubs of St James Street in London and the halls of Cambridge. Nathaniel was a man who demanded and expected nothing less than total obedience from those who served him, whether relative or not, and that had earned him Willoughby’s absolute respect.

Willoughby did not want to don the garb of the priesthood. He had his own faith, but preaching was something he found no comfort in. It irked him that he had been made to hide within the role in order to be of some use to his uncle. He should have been the soldier — Charles wanted to stay on the estate, but the uncles had insisted he fought for the family honour, leaving Willoughby’s path clear for the priesthood.

“You will win the hearts of one or two of the local people. Use your stealth, wit and common sense, but, Willoughby, remember this is no fool’s errand. We have reason to believe that the rot that has set in this area is deep and complex. Every one living there is as guilty as their neighbour of plying the trade. They will not break their ungodly ranks and speak out… Strangers are like foreigners to them, they live in greed and ignorance. Only last month, a riding officer nearly had what brains he possessed spilt from a broken skull after he came across a group of ‘fishermen’ moving a catch. It was not crabs they had plucked from the sea. The fool shouted warning before shooting!” Nathaniel shook his head. “You have two names to keep in your mind, and I demand that you make your initial contact with them as a priest, someone people will pass by, seeing the uniform and not the man, yet, hopefully, show respect and trust.”

Willoughby was surprised by the severity of the tone in his uncle’s orders.

“Go to Major Walter Husk, who has a temporary barracks in Whitby. He will brief you on the known smuggling activity along the coast north of Whitby, and then to Reverend Artemis Burdon of St Aidan’s at Ebton. He will take you in and give you a base from which to work. I do not want you to use the name ‘Rossington’. Our family name will be kept out of this. You travel as Reverend Mr Willoughby James. Make sure you conjure up a credible past-life, which does not link you back to the family or me. You are working incognito. Only Husk and Burdon will know the truth. Both are loyal to the Crown and…”

“My father’s murderers…” Willoughby’s face was instantly animated. It was on Ebton beach that the body of his father, Joshua, had been washed up. “Is it possible that Father’s murderers still walk free after nearly six years?” Each time Willoughby had requested to investigate it he had been turned away with other missions to attend to, keeping him far away from this part of the country. It was always with the promise that when the time was right, his turn would come. Now he needed to know if that time was here. Willoughby clenched his fists at his side as the years of frustration and training mixed with his eagerness to set off on his own personal quest grew.

“Of course it is possible, Willoughby!” Nathaniel stood tall and looked into Willoughby’s deep brown eyes as if analysing his private thoughts. “You need to put all personal issues aside. We both do. We are working for our country, for the very survival of our nation.” Nathaniel swallowed as if struggling to keep his composure. “We are at war with the French. The trade forgets its loyalties and anything is sold for the right price. If, and I mean if, there is a link between my brother’s early demise and the current tenuous situation, then I expect you to discover it and act accordingly. They went to ground, but have now risen stronger than ever. But remember this: King and country first, revenge last! Do I make myself clear?” Nathaniel raised his eyebrows.

“Yes, sir!”

“Oh, and one more thing to remember: the harbinger of evil can be both male or female. Your father was engaging in an affair as well as his ‘work’. It may have been the cause of his downfall.”

Willoughby’s attention had wandered to the painting, straining at the menacing sea and the headland beyond. He swallowed, for it must have been a cold and lonely death to die in those waters alone. At the mention of an affair, so calmly announced, Willoughby’s head shot back around to look at his uncle.

“Affair? With who?”

“I do not know who. You will not fall into the same trap, will you, my young priest?”

Willoughby was taken aback. He had never thought it possible that his father had had an affair, for his mother had died of a broken heart four years since.

Nathaniel patted him on the back firmly.

“Here is a purse. The sooner you go and pay your respects to your aunt, the sooner I shall have peace from her on this matter. I swear the woman can hear through the walls of a fortress. May your God be with you, and I hope you come back to us safely from this vipers’ nest, Willoughby.”

 

Have to keep reading? Buy To Love, Honour and Obey now!

 

Author Q&A with Frances Garrood, author of Ruth Robinson’s Year of Miracles

When did you first start writing? Did a specific event encourage you to start?

I can’t remember a time when I didn’t write something; poetry as a child, then on to short stories when my children were small, and then novels.

How much research do you do?

It depends. I had to do quite a lot for Dead Ernest as it was set during WW2, but often it’s just my own experience. I did once phone a safari park to find out how a monkey would behave if trapped in a car (for Women Behaving Badly), and they said they had no idea!

Tell us about where you write / your writing habits.

I’m afraid I don’t have any. I’m totally lacking in discipline, and I just write when I feel like it, at a desk in a corner of our bedroom. Not very professional, I’m afraid…

What part of the writing process do you find most difficult?

Starting, knowing when you’ve done enough research, the ending? I think the middle is difficult, but I’m not a planner, so I can get stuck anywhere. I usually just let the story take me where it wants to, and sometimes it doesn’t want to!

How real do your characters become and do they ever seem to control their own storyline?

They become very real, and I really hate letting go of them in the end. They certainly control the story to a great extent, especially when they’re speaking. I love writing dialogue.

Do you ever feel guilty about killing off characters or do you relish it?

A bit of both. But it’s also quite cathartic for me, because I was widowed fairly young, and I use my own experience of bereavement.

Do you find it hard to know when to end a story?

So far, my books have ended more or less of their own accord, but that could change (though I hope not).

What are you working on?

I’ve actually started three, and am waiting for one of them to take off. Two are sequels, and sequels are – I’ve discovered – a lot harder than I thought they’d be

What are you reading right now?

A little-known novel by Anthony Trollope (my favourite author): The Belton Estate.T I’ve read pretty well all his books, several more than once, and was delighted to find this one.

What is your favourite book? Who is your favourite character?

Without doubt, George Elliot’s Middlemarch. And my favourite character has to be Winnie the Pooh.

What book do you wish you had written?

At the moment, it’s Gail Honeyman’s stunning debut Eleanor Oliphant is Completely Fine. Otherwise, pretty well anything by Anne Tyler.

Walking the Ancient Trods: For Richer, For Poorer by Valerie Holmes

The North York Moors national park has one of the largest expanses of heather moorland in England covering an area of 554 sq miles. For centuries people have crossed this exposed, wild, boggy moorland for trade, social and religious reasons leaving a network of fragmented stone pathways that are lovingly walked and explored by hikers today. All who do respect this mainly inaccessible landscape, which is both beautiful and dangerous to traverse. But what tales these ancient paths could tell of the people who have trodden them over the centuries.

The oldest broken pathways, known locally as ‘Monks trods’ could date back to the Neolithic era. Certainly Roman soldiers have used some of the broader causeways near Whitby. The connection with monks stems from the medieval period when abbeys flourished within the region. Today we see the ruins of Whitby, Rievaulx, Guisborough and Mount Grace Priory to name but a few of these once great communities. These monasteries often housed large numbers of people and linked to other communities by the network of pathways. In Medieval times wool would be transported on them to ports such as Hull and from there to markets overseas.

The monasteries often owned farms and land miles apart. In For Richer, For Poorer I linked the two fictitious towns of Gorebeck and Beckton by one such trod that cuts across Gorebeck Moor. Gorebeck Abbey School was linked to Beckton Abbey by trade and the pathway, although rugged and unwelcoming it was known to Parthena. This was no easy route of escape by, especially at night time, it took courage and daring – but essentially local knowledge, or else it would certainly have been tantamount to a death wish. This summer I was caught out in a sudden horizontal rain storm on one of the Quaker’s Causeway, near Commondale and even with modern waterproofs and hiking boots the wind had a bitter chill.

Parthena’s pursuer, like Beth and Willoughby in To Love, Honour and Obey had to travel in single file as the stones were only designed to take a train of pack horses travelling in a line as goods were regularly transported by pack horse.

Beyond the medieval period the need to transport coal, charcoal, jet, alum and lime grew. Fresh fish from the coast needed to reach its market as quickly as possible whilst it was still fresh. Wagons would easily become bogged down in such conditions and so for centuries the pack horse was essential.

These are some of the legitimate uses for these ancient routes, as well as the need for communities such as The Quakers in the early eighteenth century to reach meetings and friend’s houses. They were also essential for people to reach the mills and towns for work as the centuries turned.

However, in the early nineteenth century, when many of my stories are set, smugglers also had local knowledge, could pay a man more than a farmer’s wage and they also needed to disperse landed contraband as quickly and efficiently as possible. Therefore, many of my stories have mentioned the use of the old trods for this purpose.

Once roads were built to cross the moorland then the need for the trods diminished and some of the ancient stone was reused for building. These roads may have even been built over the original paths as their way was the most direct. But what is left provides an interesting connection to the past and a way for people today to access this beautiful wilderness today.

 

Find out all about Christine Evans

When did you first start writing? Did a specific event encourage you to start?

In the 1990s. I can’t be more specific as I went to several creative writing classes, usually with the same tutors. The class would start out well attended, then people gradually would drop out – usually in winter. Then the following year the funding would change and we’d start up again at a different venue. But I always persevered and about three or four of us went to the same classes, which I enjoyed very much. Finally one tutor suggested I sent off some of my stories to a magazine. The first one was rejected but the editor must have seen something in my writing and made some useful suggestions. So luckily my next one was accepted by Ireland’s Own. I still have the cover framed on my wall. It’s dated August 1999 and has the picture of a Connemara pony on the front.

 

How much research do you do?

For Song of the Shuttle I went to Quarry Bank Mill, a working cotton mill near Manchester owned by the National Trust. The volunteer guide on duty was so helpful, explaining how the machines worked, then demonstrating them. He was really patient answering all my questions. From a large second hand book store in South Manchester I was lucky enough to find a book from the television series about the American Civil War shown back in the 1990s. It was packed with information and original photographs which was invaluable to my research. Other books like ‘The Hungry Mills’ and ‘Reveille in Washington’ helped enormously and also a map showing the major battles of the war.

For subsequent books I’ve turned to Victorian history which has always interested me. The internet is invaluable too. Where else could you discover the uniform that an American military hospital orderly wears?

 

Tell us about where you write / your writing habits.

I’ve set up office in a small bedroom since my son and daughter have left home. It overlooks the back garden and I can see the small birds bobbing about in the trees. I’m afraid I’m not an organised writer or set time each day for writing. I have a habit of waking up at an unearthly hour with an idea in my head and can’t get back to sleep until I’ve typed it out. I did try to write those ideas down on a pad by the bed but couldn’t read my writing in the morning. So I drag on a hairy old dressing gown – and tracky bottoms in winter – and sneak off into my office for an hour or so. Then I slip back into bed and sleep soundly.

 

What part of the writing process do you find most difficult? Starting, knowing when you’ve done enough research, the ending?

Most of my stories are written in my head long before they reach the page. Then when I have time I want to get down the information as quickly as possible. Of course I have to go through it all again and edit it. Sometimes I seem to write in Polish!  I’m not keen on editing and don’t like rewriting at all.

 

How real do your characters become and do they ever seem to control their own storyline?

My characters do seem to take on a life of their own and I instinctively know how they will act. This is a very perceptive question as many times my ideas and plots will change when faced with what a character would do.

 

Do you ever feel guilty about killing off characters or do you relish it?

I have sat and wept when one of my characters died. Normally it’s only the baddies that ‘get it’. I feel they get what they deserve.

 

What are you reading right now?

At the moment I’m reading a spy novel by John Le Carre and persevering with it. I get annoyed by the macho attitude of the men though! I have Lamentation by C. J. Sansom waiting in the wings. I love his Shardlake novels.

 

What is your favourite book? 

My favourite book is Jane Eyre. I’ve always loved it from being young when I had the Dean and Son version for young readers.

What book do you wish you had written?

Something brilliant like The Book Thief. I’ve recommended it to so many people and they’ve all enjoyed it.

 

Do you love any genres/books that are very different from what you write?

I have very eclectic taste. I really enjoy Terry Pratchett books. Patrick O’Brian’s seafaring novels are a favourite and also Lyndsay Davies’ Roman detective Falco. Although they are historical novels, they are very different from the romances that I’m writing.
Tell us something surprising about you!

I’ve had a painting exhibited in Manchester Art gallery. I won a competition where all the art classes round the city sent a painting that was inspired by one of the Gallery’s paintings. It was called ‘Things to Do’ and in one corner featured a cosy armchair, a book and a cup of tea. The rest of the canvas had an ironing board, a dirty frying pan, an un-ironed shirt and lots and lots of socks – black with a different coloured heel. None of the socks matched! The blurb was that I’d rather sit reading than doing all the chores. Along with a certificate I received a bag of art goodies. Unfortunately I don’t have time to go to any art classes nowadays.

He Wrote Her Every Day by Gail Lindenberg

The Cooper Museum, housed in a small building in the heart of historic downtown Upland, offers a cozy and often crowded venue for local events. A favorite place to hang out with city residents, this cheery place often invites authors whose books feature the history of American towns and people, especially people from Upland, California.

I wrote my first edition of He Wrote Her Every Day in Upland and printed twenty copies in time to celebrate my mother’s 90th birthday. Based on letters Mom had saved from my father in Germany during WWII, the book was my mother’s gift to share with the family. This hard-cover version of their story includes photographs and follows a narrative using all the documents and souvenirs my mother saved. When I received an invitation to present my book on Author’s Day at the Cooper, I was delighted—and a bit apprehensive.

I decided to prepare a visual display of a few of Dad’s letters and many of the souvenirs. Did I mention that Mom saved everything? I needed three tables, but managed to make do with two. A three-foot square map mounted on a display board earned center stage, balanced between my tables. It was also a place I could hide if no one showed any interest in my book.

The map, sent to all the soldiers and their families from the Army post-war, depicts the route this Infantry division traveled from the beginning of the war until the final return of the last Occupation troops. So when the recommissioned Queen Mary finally brought Dad home, Mom already had the map of the route taken by his troops known as the Railsplitters.

Our afternoon of book signing invited walk-through traffic in the patio area outside of the small museum. A beautiful afternoon in California promised our group of about a dozen local authors a busy opportunity to talk to our neighbors about our books. I was hoping for a few sales and a chance to meet my fellow writers.

Flattered when the assistant curator pulled a chair up at my table, I smiled widely as he began to go through all of the V-mails, coins, K-ration kit remnants, and the seventy-five-year-old postcards that make up my father’s collection. He looked through the assemblage of bits and pieces that had been the focus of my writing for about a half hour before, at last, he raised his head and just said, “Wow!”

Hungry for some positive feedback, I answered by asking, “Wow what?”

His response was a surprise. “You should not have all of this sitting out here in the sun for anyone to handle. This should be in a museum.” I thought he was trolling for a donation to the Cooper, but no, he assured me that mother’s bits and pieces needed a place where scholars could read the primary documents and preserve them for posterity.

He told me about the National WWII museum in New Orleans, LA. It took me a year to do it, but Kim Guise, curator of the museum in New Orleans, guided me through the process and helped our family contribute the collection to them. Mom was tickled to sign the donation papers and make it official. The museum staff is currently working on a display of the letters and souvenirs of Private James William Hendrickson, Jr. It is, according to Guise, the largest collection of letters and documents from an individual American soldier.

This was exciting, but the best experience at the Cooper came on yet another day when my display had been transferred from the originals to mere copies. The Railsplitter Map held pride of place and looked as sharp and clear as the originals.

He Wrote Her Every Day will be published by Sapere Books and is coming soon! 

Real Life vs. Fiction by Patricia Caliskan

Full-time employee by day, aspiring novelist by night? Then you’ve come to the right article, my friend! That’s how every author who ever nabbed themselves a publishing deal started out. So, let’s do what all dreamers do, and make a list:

1. Be Prepared.
Dib-dib-dib, as the Boy Scouts say. Be prepared to make your first priority a notepad and a pen. Don’t leave home, work, or bed, without them. Inspiration is all around. That punch-line you blurted out. The way someone pronounces, ‘Yugoslavia’. The colour of Boredom. Get as ephemeral or literal as you like, but write it down. Because you’re a writer, remember? It’s not 9-to-5. It’s stride-in-your-step, adrenelin-jolting devotion!

Between You and Me: Check that notepad is tantalizingly empty, and the pen actually works before you get too attached to a brainwave. Ahem.

2. Time on your Side.
Writers tend to fall into either early-morning or late-night camps. That’s because our brains rather wonderfully surrender all traces of reality when we’re pre- or post-dreaming. Marian Keyes set her alarm a couple hours ahead of the office to complete work on her first novel. Jay McInerney kept cosying up to the keyboard way past the midnight hour. No matter which option hits the mark, make it a date.

Friendly Advice: When circumstances don’t allow, don’t beat yourself up. Keep jotting down ideas as casually as you like, and know you’ll make it up to your manuscript with a ream of words waiting in the wings.

3. Plan, plan, plan!
I’d like to be one of those streamlined, linear-types, writing at stealth from beginning to end, but guess what? It doesn’t happen. I know where I’m going. I’ve a pretty good idea why we’re going there, but midway is about as far as I get, plot-wise. Then it’s time to iron-out the initial plan. If you’re armed with a water-tight synopsis, I look on in awe, but I need to submerge in the writing before emerging with a first draft.

Lesson Learned: If something isn’t working, it’s because it doesn’t work. Move on. Re-think. Re-write. No Re-grets.

4. Prioritise
As nice it would be to flounce off into the nearest vestibule and announce an early retirement from all daily responsibility, it’s first things first. Your mind can’t wander into fiction beneath a cloud of household chores or office deadlines. Pin them down. Get them done. Then consider yourself free to focus.

Working Lunch: Make the most of any break. Walk. Think. Be alone. Listen to your characters. Trust your instincts. Jot those thoughts down in that notepad you carry these days.

5. Bite into the Best Bits
There’s no point setting aside time, staring at a screen, wondering where to find a word count. Sometimes you have to take it by surprise. Don’t think of it as a book. Start with that ending you can’t wait to write, or the big reveal you know has to happen. Hit the highlights. Pick out the praline, and throw away the toffees! Why not? It’s your work. Kill off that character before they’re introduced in chapter eight, you absolute maverick! Look in the rearview, and you’ll find a picnic trail of plot development.

Novel Navigation: Make sure there’s batteries in the torch. In other words, map each scene in a working synopsis as you go along. See that shard of light up ahead? That’s the ending, compadre.

 

Visit Patricia’s author page or find out more about her second novel, Girlfriend, Interrupted. 

How I Wrote a Novel by Cathy Bussey

 

This year I achieved a lifelong ambition, I wrote a novel. 

I’ve wanted to write a novel since I was about six years old. I have multiple unfinished drafts saved on this computer, on previous computers, on computers lost to time, on computers that probably predate time (BBC Micro, anybody?). Until this year, I never managed to finish one.

I would begin and I would know how it ended. I could never do the middle bit, connecting the dots, getting the characters from A to B. Slowly my interest and motivation would slip away, or I would start afresh, try again only to find the same cycle repeating itself.

If you search online for ‘how to write a novel’ you’ll come across many well-thought out blogs and articles and tips and exercises all designed to help.

Most of them involve things like, planning and writing out the story structure, getting the plot outline completed, developing your characters, going through various creative exercises on paper (if your character went out for lunch, what would they order?). It’s all highly organised and linear.

I did none of the above. The process of writing my novel was as far removed from a planned and organised creative exercise as it’s possible to be. It was completely unlinear.

I went through cycles of intense creativity and productivity, and these would slowly tail off and I would need to rest, get a few early nights, stop trying to force it and wait for the inspiration to return, trusting that it would – and it did. Every time.

It became clear to me that if I kept trusting the process – trusting myself – I was going to finish this book. I put all thoughts of publication out of my mind, stopped worrying about whether my agent would want to read it and whether she would consider it worthy of submission. I didn’t have to encourage myself or ‘fake it til I made it’.

I genuinely wanted to finish the book, to finish the book. That was the only goal. I retained of course an inkling that this could become something big for me if I did finish it and if my agent liked it and if somebody picked it up – but at this stage that was too many ‘ifs’ and all were out of my control.

The only thing in my control was whether or not I would finish the book, so that became the goal, and that’s what I did.

Throughout the process there were standout moments. Finishing, getting good feedback from my agent, getting a deal – they were all huge. But the real standout moment happened much earlier. It happened after those awkward, difficult times when I sat staring at a blank screen knowing what I had to write and feeling unable to write it, waiting to be ready to break through the block, refusing to shut down my computer and let the novel slip away as all its predecessors have done, because I couldn’t find the courage to do what I had to do.

The standout moment was when I realised I was going to finish. That I was not going to stop and I was going to do whatever it took to finish the book. Not in a half-assed ‘well I’ll just put up with some parts that don’t really work for me just to get it done’, but finish truly, with the knowledge deep inside me that I’d done the absolute best I could. I hadn’t shirked or taken the easy way out.

That was when I realised that the hard part – the middle bit, the connecting chapters, keeping the story going, retaining the flow – wasn’t hard at all. In fact it was the easiest part of all.