In this behind-the-scenes blog series, Sapere Books authors offer an intriguing insight into how, where and why they write.
Today, we are delighted to spotlight David Field, author of numerous historical series including the Bailiff Mountsorrel Tudor Mystery Series and the New World Nautical Saga Series.
I’ve always written stories, even as a child, then I progressed from childhood scribbles to more serious attempts at literary glory on an old upright Olivetti typewriter (one of those with a red and black ribbon, if you’re old enough to remember) when my handwriting graduated from ‘untidy’ to ‘execrable’.
Reluctantly I then honoured my mother’s wish, and my father’s insistence, and got a ‘real job’ as a criminal trial lawyer, which was about as relaxing as standing on one leg on the top outer ledge of The Shard in London, without the reassurance of a safety harness. To relieve the stress I decided to start working on a novel — but what should I choose for a genre?
A good friend of mine who already earned a precarious living as a novelist was insistent that one should always write about things that one knows, and by this stage I knew two things outside my professional straightjacket — some history from my schooldays, and the streets of my home town, Nottingham. During the final years of my working life I spent stolen moments imagining the lives of those living in Nottingham during the Luddite Riots, and In Ludd’s Name was eventually published by a boutique publishing house owned by an old school friend.
Bitten by the bug, and buoyed up by having finally been published, I grew ambitious, and searched the history books for possible storylines, most notably from that most colourful of periods of English history, the Tudor era. The literary world seemed to be awash with Henry VIII, Anne Boleyn, Elizabeth I and even ‘Bloody Mary’, but two seminal characters from that era seemed never to have received much attention from novelists.
First was the progenitor of the Tudors, the boy from Wales, Henry VII, and I climbed inside his head to bring to the pages that followed his boyhood imprisonment in a bleak castle in South Wales, his youthful exile in Brittany, his triumphant return at the head of a ramshackle army that deposed Richard III at Bosworth, and his love match with Elizabeth of York that brought the Wars of the Roses to an end in the nursery rather than on the battlefield. To my delight, and secret surprise, I found a publisher — Sapere Books — and Tudor Dawn was launched.
Then — unbounded joy and amazement! — Sapere wanted another one, so this time I focused on a butcher’s son from Ipswich who rose from obscurity to become Archbishop of York, Papal Legate for life, Lord Chancellor and the diplomacy coach of choice of Henry VIII. Cardinal Thomas Wolsey’s spectacular downfall was just as dramatic, and The King’s Commoner was published, as testament to the fact that I had a second novel in me.
Dozens of titles have since been published, all by Sapere Books, and all ‘historical’ in genre. As one of the characters in Alan Bennett’s delightful creation, The History Boys, says of history — ‘It’s just one ******* thing after another’, and so it has been for me.
My books centre around the early years in the reign of Elizabeth I (the 1560s), which I studied when I earned my doctorate in sixteenth-century English history. I live in York, within a stone’s throw of King’s Manor. This was the building where Henry VIII stayed in 1536, and his suite of rooms is now one of the University of York’s libraries. If you stand at the back of the building, you can see a tiny window that leads to nowhere: it originally let some light into Henry’s specially-made toilet, or garderobe.
