The Jane Seymour Conspiracy is Published Today

Congratulations to Alexandra Walsh, whose page-turning historical saga, The Jane Seymour Conspiracy, is published today!

The Jane Seymour Conspiracy is the fourth book in the Marquess House series, dual timeline conspiracy thrillers with an ingenious twist on a well-known period of Tudor and Stuart history.

London, 1527

Nineteen-year-old Jane Seymour arrives at court to take her place with Queen Katherine of Aragon. Discovering a court already beginning to divide into factions between Katherine and Jane’s second cousin, Anne Boleyn, Jane finds herself caught between the old world and the new. Determined to have a son, the king appears to be prepared to take whatever steps he deems necessary to secure the Tudor dynasty.

When King Henry VIII finally succeeds in his pursuit of Anne, Jane witnesses the slow unravelling of his interest in the new queen as she, too, fails in her task to deliver a son. Having watched both Katherine and Anne fall from grace, Jane has no ambition for the throne, but when the king begins seeking her out, Jane realises the decision may be out of her hands…

Pembrokeshire, 2020

When a set of papers called The Pentagram Manuscript makes its way to Perdita and Piper at Marquess House, they find they have a new mystery to unravel. The manuscript is the tale of five women on a quest to find true love, written while Anne Boleyn was queen. As Perdita begins to unravel the text, she discovers a code that leads to a whole new outlook on Henry’s relationship with Jane Seymour.

But before they have a chance to reveal all, the twins find themselves under threat from a different source. Their second cousin, Xavier Connors, is determined to wrest Marquess House from them. As Marquess House must be passed down through the female line, and Perdita and Piper do not have children, Xavier sees his twin daughter as being next in line. And when Piper is nearly driven off the road, they realise he will stop at nothing to get what he wants…

What really happened to Henry VIII’s Tudor queens? Why was history rewritten?

Will Piper and Perdita be able to unravel all of the secrets before it’s too late…?

Author Q&A with Kim Fleet

Kim Fleet is the author of the Eden Grey Mystery Series, coming soon from Sapere Books.

Hi Kim! Welcome to the Sapere Books Blog!

What first got you into writing?

I started writing when I was 9. My dad gave me a book called Write Your Own Novel. It was the first time I’d make the connection that the books I loved reading were written by real people, and I thought I’d like to have a go. Dad also gave me a hardback notebook with beautiful marbled endpapers to write in. I filled it with large, round writing; enormous speech marks; and classic lines of dialogue such as, “Hello, Queen Elizabeth the First, would you like a cup of tea?”

What are your typical writing habits?

All my planning is done longhand. I write out character lists, character portraits, and scene outlines with just enough information to get writing but with enough space for the story to grow on its own. I also draw maps of places and maps of connections between characters: this shows me instantly whether I’ve got enough material for a full novel or if I need to come up with another subplot. It helps to avoid the dreaded soggy bit at 30,000 words in. I do a lot of the planning in cafes as I like the buzz of people around me (and the cake). When it comes to writing, though, I use a laptop and sit up in bed to write with the radio on in the background. It’s terrible for my back but does mean I eat less cake.

What part of the writing process do you find most difficult?

The first three chapters are always a nightmare, mostly because I’m still feeling my way into the novel and don’t know the characters fully yet. Those chapters will be rewritten time and time again. Once I got 30,000 words into a novel, realised I’d got the wrong character as the murderer, and had to scrap the whole thing and start again.

How much research do you do?

Every novel requires some research, whether it’s on places, historical detail, or forensic procedures. Research is so absorbing it’s easy to get lost in it, so I discipline myself to do enough to feel confident to start writing and no more. During the writing process, if I realise I need to research something, I write it on the manuscript and come back to it once I’ve got a complete first draft.

Do you ever find your characters controlling their storylines?

Absolutely. The characters become incredibly real, not only when I’m writing but during ‘normal’ life, too! I often have a voice chuntering in my head as I walk round the supermarket or when I’m gardening. In recent years, in addition to hearing characters I’ve started to be physically touched by them, too. It sounds bonkers, but sometimes when I’m in the car I can feel my character’s knees poking into my back. I think I need to create characters who are a bit shorter.

Do you ever feel guilty about killing off characters?

It’s very hard to kill off some characters, but I think that’s necessary to the story. In crime, there has to be something at stake, an offence against society that we care about and want the sleuth to avenge or solve. If I don’t care who dies, if it doesn’t hurt me while I’m writing, then there’s no power in the set-up and nothing for the sleuth to put right.

Do you find it hard to know when to end a story?

All the time. I either stop too soon or drivel on for too long!

Which book do you wish you had written?

Red Joan by Jennie Rooney. It’s a crackingly good read. It’s the book I always recommend to friends when they say they don’t know what to read next.

Tell us something surprising about you!

I can sing ‘Three Blind Mice’ in the Aboriginal language of Pitjantjatjara.

 

Paternoster, the first book in the EDEN GREY MYSTERY SERIES is available to pre-order now.

GET PATERNOSTER HERE!